The DCP (Digital Cinema Package) is the format for digital cinema projection.
The Digital Cinema Package or DCP is the digital equivalent of the 16 or 35 mm film reel. We offer you a fast and economical service for your 2K or 4K DCPs of advertisements, documentaries, short films and feature films.
We use the best software on the market, such as Fraunhofer’s EasyDCP. Our exclusive ISOSTEM© process can convert your stereo into 5.1 or 7.1 with surprising quality.
+ 500 customers have already placed their trust in us from all over the world
Creation of DCPs from QuickTime, DNx, ProRes, H.264/H.265 files, image sequences (DPX, TIFF, TGA), etc., from SD, HD, 2K and 4K sources at 23.98, 24 and 25 frames/second.
Image encoding in jpeg 2000 and XYZ conversion to respect the colour space and DCI naming. This guarantees a cinema image that conforms to that of your original file.
If your images are not progressive, we can deinterlace them; if they are not in the right format, we can put them in 1.85, 2.39, etc.
Thanks to our specialised platform, we provide a solution for managing the distribution rights of your films worldwide. All you have to do is send us the list of cinemas to be delivered to and the dates on which the rights will become available.
We will take care of delivering the films to the cinemas and sending them the KDM keys that allow them to restrict the distribution of the programmes to cinema screens and on the scheduled dates.
If you need subtitles for your film, we can take care of everything from transcription, translation, adaptation and simulation to delivery of an .srt file. The .srt files can then be integrated into your DCP dynamically or ‘burned’.
We can process your sound for optimal cinema theatre rendering:
Films produced
Motion design
Interviews
Countries covered
The Digital Cinema Package (DCP) is the standard format used for showing films in digital cinemas. It is a set of digital files containing all the information needed to show a feature film, short film or advert on a digital projector. Unlike older analogue formats such as 35 mm film, DCP allows high-quality broadcasting, with optimised resolution, efficient compression and advanced sound and subtitle management. Thanks to this format, cinema operators can play audiovisual works without loss of quality and with universal compatibility on digital projection equipment.
The DCP is a file containing several files essential for showing a film in high definition. These include video files encoded according to the JPEG 2000 standard, which guarantees impeccable image quality while reducing file size for easier storage and transfer. The sound is generally in 5.1 or 7.1, encoded in Linear PCM or Dolby, allowing a faithful reproduction of the ambience and dialogue. One of the most important files in the Digital Cinema Package is the CPL (Composition Playlist), which defines the order and structure of the content to be projected, including video sequences, soundtracks, subtitles and technical metadata. The DCP also includes an encrypted KDM (Key Delivery Message), an essential security file that prevents illegal copying and guarantees that the film can only be played on authorised projectors during a given period.
The Digital Cinema Package has become the global standard for cinema screenings thanks to its reliability, compatibility and high visual and sound quality. It allows directors and distributors to ensure the consistent screening of their films, regardless of the technical characteristics of the projectors used by the exhibitors. This format guarantees a resolution of up to 4K, or even 8K for certain productions, offering optimal image sharpness and depth. Advanced colour and contrast management ensures perfect fidelity to the director’s vision, which is essential for preserving the aesthetics of a film. Unlike conventional video files such as MP4 or MOV, DCP is designed to support the requirements of large-screen projections, with optimised compression and precise management of multichannel sound for total immersion.
The creation of a DCP involves several technical stages that guarantee compliance with Digital Cinema Initiatives (DCI) standards. First of all, the video encoding must be done in JPEG 2000, a format that provides exceptional image quality with advanced management of colour gradations and fine details. The file is then encapsulated in an MXF (Material Exchange Format) container, which ensures smooth data transmission between the projection equipment. The sound is processed separately and synchronised with the video to guarantee optimal reproduction of the dialogue and sound effects. Once all the files are ready, the whole is assembled in the form of a CPL, which defines the order of the elements and allows the projectors to play the film without manual intervention. Finally, if the film is intended for secure distribution, encryption is applied and a KDM is generated to restrict access to authorised venues only.
A DCP must comply with the specifications defined by the Digital Cinema Initiatives (DCI) to guarantee smooth playback on all digital projectors. These standards ensure that each encoded file can be recognised and displayed correctly, regardless of the technical configurations of the cinemas. It is crucial to test a DCP before it is shown to ensure that it works without problems and is recognised by the projection servers. Quality control is often carried out to check the integrity of the files, the synchronisation between image and sound, and the correct presence of subtitles and metadata. Specialised software can be used to carry out a technical check, thus guaranteeing that the screening will go smoothly.
The Digital Cinema Package is now an essential standard in the film industry, ensuring high-quality broadcasting, optimal security and unparalleled ease of distribution. Its adoption has enabled cinemas to modernise their infrastructure, offering viewers an immersive experience with sharp images and perfectly calibrated sound. Thanks to this format, creators, distributors and exhibitors benefit from a high-performance, universal system, guaranteeing a faithful reproduction of the works and optimal quality projection at every screening.
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